150 results filtered with: Pictures, Digital Images
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An Indian person of high rank in a yogic posture (the bow pose, or dhanurāsana). Gouache painting by an Indian painter.
Date: [between 1800 and 1899?]Reference: 574888i- Pictures
Liane de Pougy.
Date: [between 1890 and 1920?]Reference: 3306351iPart of: The James Gardiner Collection.- Pictures
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Theodor Zwinger III (1658-1724): coat of arms with portrait and protective costume against plague. Oil painting.
Reference: 45872i- Pictures
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A prince visits his paramour, who is in bed, on a snowy winter's day, while a servant brings in a tray of food: a Genji-inspired triptych. Colour woodcut by Kunichika, 1865.
Toyohara, Kunichika, 1835-1900.Date: 1865Reference: 566201i- Pictures
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Bartholomew fair in London represented as a place where crowds of people watch entertainments inspired by the devil, and indulge in drunkenness and fighting; demons incite them to crime. Etching by George Cruikshank, 1832.
Cruikshank, George, 1792-1878.Date: 1832Reference: 32534i- Pictures
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The prophet Elisha, inspired by the music of a minstrel, tells the kings of Israel, Judah and Edom that their lands will be irrigated without the aid of rain or wind. Engraving after Jan van der Straet.
Straet, Jan van der, 1523-1605.Date: [between 1600 and 1699]Reference: 34104i- Pictures
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A red-faced sun rises above a city; stunted trees stand in the foreground; representing either the culmination of the alchemical work or the star of hope that inspires the alchemist through his tribulations. Watercolour painting by E.A. Ibbs.
Ibbs, Edith A.Date: 1900-1909Reference: 39763iPart of: Splendor solis- Pictures
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Rivers running in the wilderness, with serpents and fire between them; representing the stage of 'multiplication' in the alchemical process. Coloured etching after etching, ca. 17th century.
Reference: 38199i- Pictures
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Dragons and griffins around a lone flowering tree in a landscape on the outskirts of a town; representing a stage in the alchemical process. Coloured etching after etching, ca. 17th century.
Reference: 38032i- Pictures
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Men vainly seeking alchemical 'white' (mercurial) water in the ground and in trees. Coloured etching after etching, ca. 17th century.
Reference: 38186i- Pictures
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A king presiding over a massacre of infants; soldiers pour the blood of the infants into a boiling vat; probably representing the stage of 'putrefaction' in the alchemical process. Coloured etching after etching, ca. 17th century.
Reference: 38187i- Pictures
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An episode in Macbeth by William Shakespeare: the three witches. Mezzotint by J.R. Smith, 1785, after H. Fuseli, 1783.
Fuseli, Henry, 1741-1825.Date: 10 March 1785Reference: 576077i- Pictures
Certificate admitting William Hodges to the Royal Academy. Engraving by F. Bartolozzi after G.B. Cipriani, 1786.
Cipriani, Giovanni Battista, 1727-1785.Date: 1786Reference: 26483i- Pictures
Certificate admitting William Burges to the Royal Academy, 1881. Engraving by F. Bartolozzi after G.B. Cipriani, 1786.
Cipriani, Giovanni Battista, 1727-1785.Date: 28th January 1881Reference: 2897490i- Pictures
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Men with horns and tails dance around the fire they are condemned to be burnt alive on and spit at a prelate standing nearby. Etching.
Reference: 43381i- Pictures
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A personified penis wearing sunglasses and a condom as a hat with a message about supporting people with AIDS; below is a forlorn looking figure with arms outstretched among flowers representing a child with AIDS, an illustration originally by J Keeler inspired by the experience of the hemophiliac 13-year old, Ryan White; an advertisement by the Community AIDS Service in Penang (CASP). Colour lithograph, ca. 1995.
Date: [1995?]Reference: 678067i- Digital Images
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Chrysalis, paintings exploring women in science
Original painting (acrylic on canvas) by Sophie McKay Knight, with imagery contributed by women scientists from the University of St. Andrews, as part of the Chrysalis Project coordinated by Dr Mhairi Stewart- Digital Images
- Online
Chrysalis, paintings exploring women in science
Original painting (acrylic on canvas) by Sophie McKay Knight, with imagery contributed by women scientists from the University of St. Andrews, as part of the Chrysalis Project coordinated by Dr Mhairi Stewart- Pictures
- Online
Mirek Craney / by Deborah Kelly and collaborators
Kelly, Deborah, 1962-Date: 2014Reference: 3198515iPart of: No human being is illegal (in all our glory), 2014-2019- Digital Images
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Hidden Learning : Chrysallis, paintings exploring women in science.
Knight, Sophie Mckay.Date: 2016- Pictures
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Jean-Martin Charcot demonstrating hysteria in a hypnotised patient at the Salpêtrière. Etching by A. Lurat, 1888, after P.A.A. Brouillet, 1887.
Brouillet, André, 1857-1914.Date: 1887Reference: 545647i- Pictures
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The base of the brain with part of the medulla oblongata, the blood vessels injected with wax, and the cerebellum (Table XII, figs 1-2), after Cowper in Ridley (1695); the foetal heart, the larynx and the viscera (Table XIII), after an etching by G. Vandergucht in Cheselden (1740) Etching by I. Basire, 1743.
Date: [1743]Reference: 37281i- Pictures
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The martyrdoms of the Bishops Ridley and Latimer: both men are stripped to the waist, tied together to a stake and burnt alive. Etching by Taylor after D. Dodd.
Dodd, Daniel.Date: [1765?]Reference: 43109i- Pictures
Nineteen scenes depicting popular disillusionment with doctors and medicine. Coloured wood engraving by Henriot, ca. 1900.
Henriot, 1857-1933.Reference: 17002iPart of: Série aux armes d'Épinal- Pictures
A surgeon holding a naked female patient while trying to push away death, represented as a skeleton. Soft-ground etching by I. Saliger.
Saliger, Ivo, 1894-1986.Date: [1920]Reference: 23993i